Mirroring Mirror
2012, From the series: “Staging Observations”; “Mirroring Mirror“.
Two video monitor installation. Presence and absence, the requisite of existence. I am looking, I continue looking but with my eyes closed, maybe then I cease to exist. I want to dream with the possibility of a double self, a self which only exists partially, an objective self, ‘an other’, the other-self as a relational product of my own self. I am looking but I am not, my eyes are closed.
*Video, Soundless loop, RGB monitor, sizes variable, 2012.
† This work has been included in the following exhibitions:
Rudin Prize Finalist (2014). Norton Museum, Florida, USA.
Mirror Drawing
2012, From the series: “Staging Observations”; “Mirror Drawing”.
Single shot frame. The subject on the image performs a ‘mirror drawing’ while he attentively observes us. To look at one’s self in the mirror while picturing the unbearable portrait of the self. It could be you, but it is me. It is in the here and now that I stand before a mirror, my own mirror. Like I said, it could be you, but it is me for sure, although perhaps, it is us that I see, that we see. I am looking at you as if it was me, your eyes are my mirror, I am drawing a mirror.
*Video, 1.55 mins Soundless loop, RGB monitor, sizes variable, 2012 / https://vimeo.com/385073118
† This work has been included in the following exhibitions:
Arte en Mayo (2016). Fundación Rozas-Botrán, Guatemala City.
The Flemish
2011, "The Flemish" is a captivating series of portraits that seamlessly intertwines the essence of everyday life with the historical grandeur of Vermeer and Velázquez. In this collection, specific homes, chosen for their architectural elements and unique lighting conditions, serve as the backdrop to scenes of well-accommodated Flemish families. Each portrait transcends mere posing, inviting subjects to embody their everyday roles, thereby infusing each image with authenticity and depth. The series not only reflects typical Flemish family life but also introduces a layer of psychological complexity. The natural tension between the characters adds a dynamic and intriguing dimension to these meticulously crafted scenes, offering a contemporary homage to the classical beauty of Flemish art.
Ducha
2012, From the series: “Staging Observations”, “Ducha (Shower).”
The world moves at such high speed, that suddenly we notice that certain subtleties of time and movement become imperceptible. This is an attempt to recreate a spatiotemporal frame where the perception of time and space can become more profound and quiet. I wish to request the beholder to ultimately calm down his senses, and for a brief moment ask him or her to consider the act of oddly experiencing the mundane as another form of altering one's perception.
*Video Loop, 17 inch. RGB Monitor.
† This work has been included in the following exhibitions:
Suelta (2011). Online platform for Latin American art and text.
Domestic Encounters
2011, "Domestic Encounters" is a series that delves into the enigmatic world of everyday life, unraveling the hidden layers of meaning within its imaginary, enclosed walls. This collection artfully stages the intricate interplay between objects, subjects, and spaces, drawing from the mundane to evoke a sense of the extraordinary. Each representation in this series is crafted to lead viewers not towards definitive answers, but into a labyrinth of puzzlement and intrigue. It captures the uncanny sensation of otherness, a hauntingly familiar yet alien presence that resides in the commonplace, transforming the ordinary into a realm of unexpected discovery and reflection.
The Silence Between Us; Together Alone
2009, "The Silence Between Us; Together Alone" is a poignant portrait series exploring the enigmatic dance of connection and alienation within intimate relationships. This collection delves into the complexity of shared silences and unspoken understandings between young Flemish couples, capturing moments of 'together alone.' It examines the intriguing paradox of how two people, in their most intimate settings, can simultaneously experience deep connection and profound alienation. Each portrait is a revelation, unveiling the subtle layers of emotion and thought that linger in the quiet spaces between words. The series invites viewers to reflect on the silent, yet powerful narratives that unfold in the presence of another, where each glance and gesture speaks volumes.
† Published in FotoVisura Magazine in 2009.